Jonah Zed - LOVEWONTWAIT

Weekly Music

Jonah Zed recently released his 10-track album "LOVEWONTWAIT," which includes bangers like "low life in love," "16awlays," and "daytrip." With the project, Jonah really delivered an exceptional product; I love how he's found a way to really just dive straight into what he's good at rather than making music for the sake of clicks and major radio play. I adore Jonah's cadence; he has created a distinct voice that is instantly recognizable. The way he bends his voice and pushes his abilities always results in some incredible music, tracks that are filled with so much love and emotion that they begin to really resonate with me over time. Most music has a short-term effect, whereas Jonah has this effect that completely changes my mood; it has something that I can't describe but that requires many elements to create. His beat and instrumental choices are superb. He chooses simple but well-defined instrumentals that add to the overall experience. The atmosphere of the music is crucial, and Jonah has accomplished this admirably through his instrumental selection and overall production. One of my personal favorites from the project is "low life in love." The song begins with a lovely melody and a guitar riff. The drums begin to build up the energy early on. This track's upbeat nature appeals to me. Jonah's vocal performance on this song is outstanding. I like how he bends his voice around the words and can vibrate his vocals to add depth and excitement. Eric Reprid appears on this track and gives an excellent performance. His voice is very beautiful and on the higher end of the pitch spectrum, which adds contrast and variety to the track. I enjoy the large atmosphere created by this track's instrumental. We appear to be in a large open space. It adds a grandiose feel to the track. "sometimes" is another of my favorites because of the almost house-styled beat and, of course, the rich vocal content. I like the upbeat vibe; it reminds me of a summer road trip. The band appears on "16always." Something about acoustic instruments, in my opinion, will never be replaced, or at least not for a very long time. I can already picture Jonah singing this with a full band. It's rock in nature, and I love how it reminds me of music from the early 2000s, but with Jonah's flair and taste. Jonah's versatility is undeniable, and this album only scratches the surface of what he is capable of. However, this project serves a more commercial purpose by delivering a consistent sound across the entire ten-track project. I like where Jonah is going and can't wait to see what he does next. I'm hoping for another project soon, perhaps a full-length album with a more experimental sound, but I also believe Jonah needs something consistent to build and solidify the core fanbase he already has. In any case, I'm looking forward to the future and hope to hear from him soon.

Written by Maxim Bayarsky